has been lauded by the New Yorker as "one of the world's leading young composers" and by the New York Times for having “a distinctive style.” His vibrant and inventive musical voice draws equal inspiration from Chinese ancient and folk music, Western avant-garde, experimental, noise, natural and processed sound, rock, and jazz to create a seamless, organic integration using a compositional technique he calls “Dimensionalism.” Huang Ruo’s diverse compositional works span from orchestra, chamber music, opera, theater, and dance, to cross-genre, sound installation, multi-media, experimental improvisation, folk rock, and film.
Huang Ruo’s music has been premiered and performed by the New York Philharmonic, Philadelphia Orchestra, San Francisco Symphony, Seattle Symphony, National Polish Radio Orchestra, Kiel Philharmonic Orchestra, Hong Kong Philharmonic, Washington National Opera, Houston Grand Opera, New York City Opera, Opera Hong Kong, Chamber Music Society of Lincoln Center, Asko/Schoenberg Ensemble, Remix Ensemble, Nieuw Ensemble, Quatuor Diotima, and Ethel Quartet, and conducted by Wolfgang Sawallisch, Marin Alsop, Michael Tilson Thomas, James Conlon, Dennis Russell Davies, Ed Spanjaard, Peter Rundel, Alexander Liebreich, Xian Zhang, and Ilan Volkov.
Huang Ruo's opera Dr. Sun Yat-Sen
, had its American premiere by the Santa Fe Opera in 2014, and will receive its Canadian premiere in 2017 performed by the Vancouver Opera. His opera Paradise Interrupted received its world premiere at the Spoleto Festival USA in 2015. Another performance is coming up at the Lincoln Center Festival in 2016, before going on tour to Asia and Europe. In addition, Huang Ruo was recently named the composer-in-residence for Het Concertgebouw Amsterdam and National Symphony Orchestra of Taiwan.
Huang Ruo was born in Hainan Island, China in 1976 - the year the Chinese Cultural Revolution ended. His father, who is also a composer, began teaching him composition and piano when he was six years old. Growing up in the 1980s and 1990s, when China was opening its gate to the Western world, he received both traditional and Western education at the Shanghai Conservatory of Music. As a result of the dramatic cultural and economic changes in China following the Cultural Revolution, his education expanded from Bach, Mozart, Stravinsky, and Lutoslawski, to include the Beatles, rock and roll, heavy metal, and jazz. Huang Ruo was able to absorb all of these newly allowed Western influences equally. As a member of the new generation of Chinese composers, his goal and task is not just to mix both Western and Eastern elements, but also to create a seamless integration and a convincing organic unity, drawing influences from various genres and cultures.
After winning the Henry Mancini Award at the 1995 International Film and Music Festival in Switzerland, Huang Ruo moved to the United States to further his education. He earned a Bachelor of Music degree from the Oberlin Conservatory of Music and Master of Music and Doctor of Musical Arts degrees in composition from the Juilliard School. Huang Ruo is currently a composition faculty at the Mannes College of Music at the New School in NY. He is the artistic director and conductor of Ensemble FIRE (Future In REverse), and was selected as a Young Leader Fellow by the National Committee on United States–China Relations in 2006.
Huang Ruo’s music is published by Ricordi. For more information about the composer and his music, please visit: www.huangruo.com